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Well, it’s not that exactly, but I do receive proposals daily from a lot of artists who want to work with us. So does everyone want to work with Gente de Zona now? We´re happy to be taking Cuban music to places where it always existed, but it wasn´t recognized by people who weren´t able to see that we are quality musicians from Cuba and we are capable of achieving all of this.
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We´ve shown that it is possible to walk the red carpet, to perform on the most important awards shows, and that it doesn’t have to be seen as some kind of political statement. to play, and they’ve played in Europe, but no one has ever broken that myth before that an artist who lives in Cuba can´t get to the top of the charts or have the opportunity to collaborate with an artist on the level of Enrique Iglesias, Marc Anthony or Pitbull. It´s well known that in Cuba there are great musicians who have come to the U.S. And I think it’s something that always kept Cuban music out of the global music circuit. I don’t know a lot about that, because I was born into a generation that always had that barrier up between Cuba and the U.S.
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I think that the political situation between the United States and Cuba because there have been so many people exiled from Cuba in the United States. Do you think that it really took having a person like Enrique Iglesias to say, ‘They are Cuban but I don’t care, we’re going to do a song together?’ But they’ve had a lot of trouble breaking into the U.S. Then we did “La Gozadera” with Marc Anthony.Īrtists who were born into a Cuba ruled by Fidel Castro have been playing in the United States for about 20 years, whether traveling here on tour, or relocating to Miami and other cities. We were in contact with Pitbull, and we decided to do a song together, and from there we started to get to know the American market. We always knew it was a good song, but we never imagined it was going to be so successful. And he heard the song and saw the video, and we were called to do another video with Enrique Iglesias, and we’ve since gone everywhere with that song. When he gave us the song, it was in part written by Descemer and Enrique Iglesias, and we completed the song, we created what the song needed, and we did the video with Descemer, but Enrique Iglesias was not involved at that point. We were in Cuba, and we got a proposal from Descemer Bueno, who is a Cuban who has worked for years with Enriue Iglesias and who had a lot of hits. Our music is a fusión of Cuban reggaetón, of reggaetón and of Cuban music. We’re mixing Cuban rhythms – son, guaracha, timba – into the reggeton base. I call the music that we are doing Cuban reggaeton. A lot of people in Cuba call it urban music, or they call it Cubaton. In Cuba, there are a lot of currents of urban music. It was created in Panama and then popularized in Puerto Rico. I think reggaeton is different depending on where it comes from. We really don’t do reggaeton as most people know it. Gente de Zona is constantly referred to as a reggaetón group, do you agree with that description? But since we’ve been using a different kind of language we’ve been having success around the world. I discovered that we had a way of saying things that was very closed, that in a lot of Latin American countries they couldn’t understand what we were saying. We used to do a kind of music that was very local as far as the lyrics of the songs were concerned, lyrics that Cubans can understand…When I came to the U.S. We knew we had to do something that the rest of the Latin world would be interested in. There came a point when we were anxious to establish ourselves on an international level. We were known in Cuba and in Europe most of our fans were Cuban. But you’re hardly an overnight success…Īlexander Delgado: Gente de Zona is a group that we formed about 15 years ago in Cuba. Most people associate the name Gente de Zona with the song “Bailando.” Now, “La Gozadera,” your collaboration with Marc Anthony, is climbing toward the top of the Hot Latin Songs chart. Billboard talked to Delgado about the group’s upcoming solo album, the definition of Cuban reggaeton, and “breaking the myth that an artist who lives in Cuba can’t get to the top of the charts.”